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Festival Programme Fri, 5.2.2010 - 01:00

« Friday February 05, 2010 »
AuditoriumTheatersaalSalon / K1Salon / K2Café StageFoyerOther Locations
00:00 - 24:00
Conference
Start: 13:00
Start: 13:00
End: 22:00
Event: Conference
Location: Auditorium
The conference will open on 5 February 2010 with a nonstop 9-hour Futurity Long Conversation. 21 guests will discuss projects, ideas, technologies and utopias that are already determining our future. Introduced with a keynote by Richard Barbrook.
00:00 - 24:00
Screening
Start: 14:30
Start: 14:30
End: 16:30
Event: Screening
Location: Theatersaal
This programme presents three films all shot in Asia which address, in different ways, the communication between remotely distant worlds.
Screening
Start: 18:30
Start: 18:30
End: 20:30
Event: Screening
Location: Theatersaal
Four entirely different ways of appropriating light and space are at the core of this programme.
00:00 - 24:00
Talk
Start: 11:00
Start: 11:00
End: 13:00
Event: Talk
Location: Salon / K1
Cultural forms of organisation hardly ever develop on the basis of strategic considerations but rather cluster around the individual needs of a specific project. Which models of organisation make sense in the field of art and the creative industries and how will the cultural enterprise of the future look?

Talk
Start: 16:30
Start: 16:30
End: 18:00
Event: Talk
Location: Salon / K1
After a panel-related screening, this Salon Talk provides a forum in which to discuss concerns regarding artistic projects realised in Asia and shown in Europe. The relationship between ‘here’ and ‘elsewhere’ provides a point of departure to reflect on the (im)possibilities of shifting spaces as well as on the politics of image production.
00:00 - 24:00
Workshop event
Start: 14:00
Start: 14:00
End: 17:00
Event: Workshop event
Location: Salon / K2
Creative Business Models

Susa Pop will illustrate how an idea can grow into a sustainable cultural business model.

00:00 - 24:00
Performance
Start: 13:00
Start: 13:00
End: 22:00
Event: Performance
Location: Café Stage
The Long Conversion is a world première especially crafted for transmediale.10 by transmediale Award nominees Sosolimited. The piece exists alongside the extended experimental discussion Futurity Long Conversation happening simultaneously in the HKW Auditorium.
00:00 - 24:00
Workshop event
Start: 10:00
Start: 10:00
End: 18:00
Event: Workshop event
Location: Foyer
Workshop RECLAIM THE STREETS
The workshop is organised by Susa Pop / Public Art Lab, initiator of the MEDIA FACADES FESTIVAL EUROPE 2010 in cooperation with the festival partner institutions m-cult / Helsinki, FACT / Liverpool, iMAL / Brussels, Ars Electronica Futurelab / Linz, Kitchen Budapest and Medialab-Prado / Madrid - hosted by Christian Zoellner and Tobias Fischer of VR/urban.
Special event
Start: 20:00
Start: 20:00
End: 23:00
Event: Special event
Location: Foyer
Part research-station, part media-laboratory, part docking-module, the structure of the Futures Exchange in the HKW foyer, designed by the Berlin architecture practice Raumlabor, will house interdisciplinary, process-based projects exploring the notion of futurity as a cultural construct. On Friday evening the Futures Exchange will culminate in a lively performative exchange as all the artists of the Salon Projects are going to be present for chats with the public.
00:00 - 24:00
Partner event
Start: 11:00
Start: 11:00
End: 14:00
Event: Partner event
Location: Other Locations
Universität der Künste Berlin: _Vilém_Flusser_Archiv
Grunewaldstr. 2-5, 10823 Berlin

Opening hours during transmediale.10:
Fri 5 Feb, 11:00 - 14:00 h
Partner event
Start: 18:00
Start: 18:00
End: 19:00
Event: Partner event
Location: Other Locations
MAKING CLOUDS oder VOM FEHLEN DER SCHWERE
Performance by Agnes Meyer-Brandis

5 February, 18:00 (Premiere)
6 February 18:30 o clock

Virchowsaal / Sophiensaele, Sophienstraße 18, 10178 Berlin

Performance
Start: 20:30
Start: 20:30
End: 22:30
Event: Performance
Location: Other Locations
This organ concert in Frazösischer Dom is the second chance to witness Charlemagne Palestine play live in the context of transmediale.10 and CTM.10. When playing the organ, Palestine famously uses a repetitive minimal technique, which elicits a glorious earsplitting resonance from the instrument. The audience is easily convinced they are witnessing a dozen organ players at once – an unforgettable experience.