As part of the reorganization of the transmediale website also the transmediale Corporate Identity has been revised. The transmediale logo has been redesigned and a new font family and Signet have been developed.
You can download our logo as a PGN, TIFF or EPS files here: transmediale logo – eps | png | tiff transmediale signet – eps | png | tiff more...
The transmediale.10 exhibition Future Obscura presents artworks that use the materials, mechanisms and machines of image-making to illuminate and define our relationship with atemporality - the collision of past, present and future. Over a dozen international artists, including Zilvinas Kempinas, Julius von Bismarck, Ken Rinaldo, Alice Miceli and Julien Maire, will create interdisciplinary explorations of light and chronology which will unfold across the HKW, and several urban spaces within Berlin.
For the benefit of Haiti the exhibition was extended by two days, running until Tuesday, 9 February 2010 - 21:30more...
Im dritten János Neumann Salon wird mit Friedrich Kittler einer der ganz großen lebenden Denker an der Schnittstelle von Naturwissenschaft, Philosophie, Kultur und Literatur zu Gast sein. Initiator Till Nikolaus von Heiseler wird mit Kittler über die Verbindung von Musik und Mathematik im Antiken Griechenland sprechen - zentrales Thema im soeben neu erschienenem 2. Band von Kittlers Tertralogie. [text only in german]more...
Friedrich Kittler ist einer der wichtigsten und einflussreichsten Medientheoretiker Europas. Den Autor unzähliger, in viele Sprachen übersetzter Bücher, fasziniert gegenwärtig v. a. die Verbindung von Mathematik und Musik im Alten Griechenland. [bio only in german]more...
The transmediale.10 Salon consists of several different programmatic clusters. Besides the traditional lectures participatory projects by international media artists and activists will be presented in the so-called 'Futures Exchange'. D.I.Y. and the collective research of ideas are also at the core of the talks and workshops offered within the Free Culture Incubator. ...moremore...
